I’m thrilled to be speaking about intrinsic typography at TypeWknd. It has been my passion as I have been developing it for the past few years, and I can’t wait to share it with everyone.

Registration is free, so sign up today — typewknd.com/register/

I launched my new business, Typetura. Typeset packages and digital typesetting tools and consulting.


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Scott boosted

take me down to parallax city where the back moves slow and the front moves quickly

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take me down to parallel city where the lines are straight and stretch to infinity

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Animated variable fonts out in the real world 😀
RT @variablefonts@twitter.com
Public explorations with motion and variable fonts from @studiodumbar, on view soon at Dutch train stations and commercial spaces. Type by @bartvoll, motion and coding in @drawbotapp by Sander Sturing, an ongoing commission with @ExterionmediaNL:

Wow this article on Fourier Transforms is incredible: jezzamon.com/fourier

A radius for every level in an atomic design system

@jeffalyanak @sophia I am totally with Sophia. Ads can be better. Ars Technica still has tracking, but their pay to opt out option is rad

@jeffalyanak @sophia donation based monetization has problems as well. Content is catered to those privilidged enough to make donations. Ads will generate a lot more revenue per user than donation platforms available today. I used to work in ad tech and yes it’s terrible but I’ve seen this argument for years and don’t see it taking off.

@Vlh I’m both unamused and very very intrigued.

My coworker, Lindsay Boylan, wrote about her journey to become a UX researcher uxplanet.org/a-journey-to-ux-r

Happy winter solstice my northern hemisphere friends. We’re halfway out of the dark 🌚

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‘Jamra knew that a Cherokee font would never be on an “all-time bestsellers” list … he was motivated by compassion.’ — typographica.org/typeface-revi

Phoreus Cherokee:

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